Wednesday, March 28, 2018

No.56

Just a Thought

The greatest pleasure I know is to do good by stealth and to have it found out by accident. - CHARLES LAMB


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Breathless
by “MasterRevelation”

I'm not too fit, I'll have you know,
I'm overweight and rather slow,
But when I run, I manage; though
I'm breathless!

Though in the past it was not thus,
I am not one to swear and cuss,
Except that, trying to catch a bus,
I'm breathless!

When as a youth, I used to play
With sweet young ladies in the hay,
The girls would be the ones to say:
"I'm breathless"!

At sport I'd always stay the course,
I was as strong as any horse,
But now, with just a little force,
I'm breathless!

I guess my life has reached the stage
When these things happen at my age.
If all my passions I assuage,
I'm breathless!

No longer, now, do I aspire
To climb a mountain, walk on fire,
Instead I curb each wild desire:
I'm breathless!

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I am an old man and have known many troubles, but most of them never happened. (Mark Twain and others)

One of the good things about getting older is you find you're more interesting than most of the people you meet. (Lee Marvin)

In the end, it's not the years in your life that count. It's the life in your years. (Abraham Lincoln)

By the time you're eighty years old you've learned everything. You only have to remember it. (George Burns)

Old age is a lot of crossed-off names in your address book. (Ronald Blythe)

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Good news for all folk who are really ancient!

According to The Register, old people who use computers are less likely to get dementia. This is the finding of researchers at the University of Western Australia's Centre for Health and Ageing.

So the message is, for folks like me, - Keep on Blogging!

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Tuesday, March 27, 2018

No.55
These Foolish Things
Eric Maschwitz
1901-69

A cigarette that bears a lipstick's traces,
An airline ticket to romantic places,
And still my heart has wings,
These foolish things remind me of you.

A tinkling piano in the next apartment,
Those stumblin' words that told you what my heart meant,
A fairground's painted swings,
These foolish things remind me of you,

You came, you saw, you conquered me,
When you did that to me
I knew somehow this had to be.

The winds of March that make my heart a dancer,
A telephone that rings but who's to answer?
Oh, how the ghost of you clings,
These foolish things remind me of you.

How strange, how sweet, to find you still,
These things are dear to me,
They seem to bring you near to me.

The sigh of midnight trains in empty stations,
Silk stockings thrown aside, dance invitations,
Oh, how the ghost of you clings,
These foolish things remind me of you.

-o0o-

Edwin Henry Landseer
1802-73
Trial by Jury
or
Laying down the Law
1840
Oil on Canvas


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Just a Thought . . .

The quality of strength lined with tenderness is an unbeatable combination, as are intelligence and necessity when unblunted by formal education. - Maya Angelou

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Monday, March 26, 2018

No.54
My Madonna
Robert W. Service 1874-1958
(Ŧhe Bard of the Yukon)

I haled me a woman from the street,
   Shameless, but, oh, so fair!
I bade her sit in the model’s seat
   And I painted her sitting there.

I hid all trace of her heart unclean;
   I painted a babe at her breast;
I painted her as she might have been
   If the Worst had been the Best.

She laughed at my picture and went away.
   Then came, with a knowing nod,
A connoisseur, and I heard him say;
   “’Tis Mary, the Mother of God.”

So I painted a halo round her hair,
   And I sold her and took my fee,
And she hangs in the church of Saint Hillaire,
   Where you and all may see.

-o0o-

Portrait of Sarah Bernhardt
Giovanni Boldini 1842-1931
c.1880


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Just a Thought . . .
Advice is what we ask for when we already know the answer but wish we didn't - 
Erica Jong

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Saturday, March 24, 2018

No.53

 THE LADY OF SHALOTT
by
Alfred, Lord Tennyson 1809-92

with Paintings
by
John William Waterhouse 1849-1917

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On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro' the field the road runs by
To many-towered Camelot;
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.

Willows whiten, aspens quiver,
Little breezes dusk and shiver
Through the wave that runs for ever
By the island in the river
Flowing down to Camelot.
Four gray walls, and four gray towers,
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.

By the margin, willow-veiled
Slide the heavy barges trailed
By slow horses; and unhailed
The shallop flitteth silken-sailed
Skimming down to Camelot:
But who hath seen her wave her hand?
Or at the casement seen her stand?
Or is she known in all the land,
The Lady of Shalott?

Only reapers, reaping early
In among the bearded barley,
Hear a song that echoes cheerly
From the river winding clearly,
Down to towered Camelot:
And by the moon the reaper weary,
Piling sheaves in uplands airy,
Listening, whispers "'Tis the fairy
Lady of Shalott".


There she weaves by night and day
A magic web with colours gay.
She has heard a whisper say,
A curse is on her if she stay
To look down to Camelot.
She knows not what the curse may be,
And so she weaveth steadily,
And little other care hath she,
The Lady of Shalott.

And moving through a mirror clear
That hangs before her all the year,
Shadows of the world appear.
There she sees the highway near
Winding down to Camelot:
There the river eddy whirls,
And there the surly village churls,
And the red cloaks of market girls,
Pass onward from Shalott.

Sometimes a troop of damsels glad,
An abbot on an ambling pad,
Sometimes a curly shepherd-lad,
Or long-haired page in crimson clad,
Goes by to towered Camelot;
And sometimes through the mirror blue
The knights come riding two and two:
She hath no loyal knight and true,
The Lady of Shalott.

But in her web she still delights
To weave the mirror's magic sights,
For often through the silent nights
A funeral, with plumes and lights,
And music, went to Camelot:
Or when the moon was overhead,
Came two young lovers lately wed;
"I am half-sick of shadows," said
The Lady of Shalott.


A bow-shot from her bower-eaves,
He rode between the barley sheaves,
The sun came dazzling through the leaves,
And flamed upon the brazen greaves
Of bold Sir Lancelot.
A redcross knight for ever kneeled
To a lady in his shield,
That sparkled on the yellow field,
Beside remote Shalott.

The gemmy bridle glittered free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle bells rang merrily
As he rode down to Camelot:
And from his blazoned baldric slung
A mighty silver bugle hung,
And as he rode his armour rung,
Beside remote Shalott.

All in the blue unclouded weather
Thick-jewelled shone the saddle-leather,
The helmet and the helmet-feather
Burned like one burning flame together,
As he rode down to Camelot.
As often through the purple night,
Below the starry clusters bright,
Some bearded meteor, trailing light,
Moves over still Shalott.

His broad clear brow in sunlight glowed;
On burnished hooves his war-horse trode;
From underneath his helmet flowed
His coal-black curls as on he rode,
As he rode down to Camelot.
From the bank and from the river
He flashed into the crystal mirror,
"Tirra lirra," by the river
Sang Sir Lancelot.

She left the web, she left the loom;
She made three paces through the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She looked down to Camelot.
Out flew the web and floated wide;
The mirror cracked from side to side;
"The curse is come upon me," cried
The Lady of Shalott.


In the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining,
Heavily the low sky raining
Over towered Camelot;
Down she came and found a boat
Beneath a willow left afloat,
And round about the prow she wrote
"The Lady of Shalott."

And down the river's dim expanse,
Like some bold seer in a trance,
Seeing all his own mischance,
With a glassy countenance
Did she look to Camelot.
And at the closing of the day
She loosed the chain, and down she lay;
The broad stream bore her far away,
The Lady of Shalott.

Lying, robed in snowy white
That loosely flew to left and right,
The leaves upon her falling light,
Through the noises of the night
She floated down to Camelot;
And as the boat-head wound along
The willowy hills and fields among,
They heard her singing her last song,
The Lady of Shalott.

Heard a carol, mournful, holy,
Chanted loudly, chanted lowly,
Till her blood was frozen slowly,
And her eyes were darkened wholly,
Turned to towered Camelot;
For ere she reached upon the tide
The first house by the water-side,
Singing in her song she died,
The Lady of Shalott.

Under tower and balcony,
By garden wall and gallery,
A gleaming shape she floated by,
Dead pale between the houses high,
Silent into Camelot.
Out upon the wharfs they came,
Knight and burgher, lord and dame,
And round the prow they read her name,
"The Lady of Shalott"

Who is this? and what is here?
And in the lighted palace near
Died the sound of royal cheer;
And they crossed themselves for fear,
All the knights at Camelot:
But Lancelot mused a little space;
He said, "She has a lovely face;
God in his mercy lend her grace,
The Lady of Shalott".

-o=0=o-

Next post here - Monday

Friday, March 23, 2018

No.52


Napoleon Bonaparte
at the Pont dArcole


Bonaparte was a French statesman and military leader who rose to prominence during the French Revolution and led several successful campaigns during the Revolutionary Wars. As Napoleon, he was Emperor from 1804 until 1814, and again briefly in 1815 during the Hundred Days. He dominated European and global affairs for more than a decade while leading France against a series of coalitions in the Napoleonic Wars. He won most of these wars and the vast majority of his battles, building a large empire that ruled over continental Europe before its final collapse in 1815. He is considered one of the greatest commanders in history. and his wars and campaigns are studied at military schools worldwide. 
A Love Letter
from Napoleon to Josephine

Dec.29, 1795

I awake all filled with you. Your image and the intoxicating pleasures of last night allow my senses no rest.

Sweet and matchless Josephine, how strangely you work upon my heart.

Are you angry with me? Are you unhappy? Are you upset?

My soul is broken with grief and my love for you forbids repose. But how can I rest any more, when I yield to the feeling that masters my inmost self, when I quaff from your lips and from your heart a scorching flame?

Yes! One night has taught me how far your portrait falls short of yourself!

You start at midday: in three hours I shall see you again.

Till then, a thousand kisses, mio dolce amor! but give me none back for they set my blood on fire.

-o0o-

Josephine


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Thursday, March 22, 2018

No.51
Four examples of the ceramics created by
William de Morgan
1839-1917


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Wednesday, March 21, 2018

No.50
This photo probably dates from around 1900 - a time 
when a man with a camera always attracted a crowd


-o0o-


In 1953 I took up the position of Youth Secretary at the Glasgow YMCA. Their headquarters were in the city centre in a big building with accommodation for boys and youths on the top floor, and senior members and office staff on the first and second floors. 

There were a number of shops on the ground floor. In the same building there was the Lyric Theatre owned by the YMCA, but, when I was working there, it was being rebuilt after a disastrous fire. The loss of the theatre had been a great blow to the city, for many amateur companies had found it ideal for their productions. 

There were five full-time members of staff and a fair number of voluntary leaders. I worked four evenings and five mornings each week, and frequently on Sunday afternoons. 

Each year the boys went camping for a week at Crail, and that gave me my first and only experience of living under canvas. Fortunately the weather was good and I really enjoyed it. Jean and a girl friend of one of the other leaders came also but they had sleeping accommodation in Crail.

There were a number of Glasgow business men who took an interest in the YMCA, especially when funds were needed. I remember one of them donated money to give each boy a copy of “Pilgrim’s Progress."  In those days this was considered a wonderful gift, but I often wondered how many of the books lay unopened and forgotten. Did I read it? What do you think?

One final memory. There was a little storeroom where games were kept. The single window which was painted over looked out on to the Pavilion Theatre across the road. The boys soon discovered that, where the paint had been scraped away, glimpses could often be had of the chorus girls in their dressing room !

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This picture shows the building when it was owned by the YMCA, and it remained so until it was demolished in the late 1950’s. 


The main entrance to the YMCA and the theatre can be seen halfway along the main side of the building. The entrance to the youth section was at the end of the stretch on the left.

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